(BILLY SHARFF, No Return From Snockville,
19-song CD)
"There are some beautiful ballads here,
particularly the agonized hard-luck tale 'Four Years'
and the fiddle-backed, searing but winsome 'Jenny.'
[Sharff is] a skilled instrumentalist whose capability
for creating soundscapes is unquestionable... I tend
to prefer his songwriting to his forays into ambiance.
This is perhaps because the songs are often well-written
and full of keen insights, as on the morbid 'Song
to Sing When Feeling Blue,' the gritty low-down blues
of 'Lines and Rocks,' the aptly titled 'Strangest
Kind of Blues,' and the exuberant pick hit 'You’d
Look Good With a Pipe.' On these in particular, he
seldom puts a foot wrong or strikes a false note.
The elegiac tone of the final track, 'The End of
the Road,' perhaps exemplifies best the insinuating
nature of his most resonant numbers. If 'Snockville'
is a reference to the legendary Michael Hurley, the
comparison is apt. Sharff is also an artist well
worth watching." (Francis DiMenno, The
Noise, Rock Around Boston.)
“[No Return From Snockville] made the hair
on the back of my neck stand up… lyrically
chilling and the musical accompaniment was strong.” (Shut
Eye Records, Inc.)
“Great rock voice”
(Taxi A&R Company)
"[Sharff's] vocals suggest David Byrne channeling
Jim Morrison"
(Julie Bolcer, NewNowNext.com)
[Translated from German] "The CD moves from
quiet blues and folk sounds to vigorous rock (e.g.,
the opener ‘I'm Dead’). Beautiful
above all are the soulful ballads (‘Four
Years,’ ‘Jenny,’ ‘Song To
Singing When Feeling Blue’) as well as the
final song ‘The End Of The Road,’ which
I especially like." —Roland Leicht, www.prog-rock.info
“[Snockville] is a positive debut
album… highly individualistic… I started
playing it immediately on my radio program of American
folk and roots music here [in Italy].” — Massimo
Ferro, Highway 61 Radio Voce Spazio